WEBVTT FILE 1 00:00:00.480 --> 00:00:02.000 a marriage story 2 00:00:02.000 --> 00:00:04.400 a great movie to learn english with the 3 00:00:04.400 --> 00:00:07.200 pace is good the conversation is frank 4 00:00:07.200 --> 00:00:08.880 today we're going to take a scene from 5 00:00:08.880 --> 00:00:11.200 this movie and do a full in-depth 6 00:00:11.200 --> 00:00:13.599 analysis of everything that's said 7 00:00:13.599 --> 00:00:15.839 looking at how it's pronounced why it 8 00:00:15.839 --> 00:00:18.880 sounds american and go over idioms too 9 00:00:18.880 --> 00:00:20.880 studying english this way will help your 10 00:00:20.880 --> 00:00:23.119 listening comprehension and it will also 11 00:00:23.119 --> 00:00:25.039 help you understand how to sound more 12 00:00:25.039 --> 00:00:29.080 natural speaking english 13 00:00:31.760 --> 00:00:34.000 first let's watch the whole scene 14 00:00:34.000 --> 00:00:37.360 then we'll do our in-depth analysis 15 00:00:37.360 --> 00:00:39.040 henry's teacher wants to meet with us 16 00:00:39.040 --> 00:00:41.360 you mean his la teacher can you uh 17 00:00:41.360 --> 00:00:44.000 answer the email so we could set a time 18 00:00:44.000 --> 00:00:46.559 yeah i've been distracted 19 00:00:46.559 --> 00:00:48.159 i understand 20 00:00:48.159 --> 00:00:49.360 i just want to rule out everything you 21 00:00:49.360 --> 00:00:51.199 know with this reading i just think he's 22 00:00:51.199 --> 00:00:53.120 a little over anxious i think he wants 23 00:00:53.120 --> 00:00:54.320 it too much 24 00:00:54.320 --> 00:00:56.559 he said he's off the charts in math he 25 00:00:56.559 --> 00:00:58.160 quits too easily when things aren't easy 26 00:00:58.160 --> 00:00:59.520 for him you know he's i guess he's 27 00:00:59.520 --> 00:01:01.120 stubborn 28 00:01:01.120 --> 00:01:02.719 he's still a lousy monopoly player 29 00:01:02.719 --> 00:01:06.000 because he tries to save all his money 30 00:01:06.640 --> 00:01:09.360 and now the analysis 31 00:01:09.360 --> 00:01:11.119 henry's teacher wants to meet with us 32 00:01:11.119 --> 00:01:13.040 what are our most stressed syllables in 33 00:01:13.040 --> 00:01:14.959 this phrase everything links together 34 00:01:14.959 --> 00:01:17.119 really smoothly but we have some peaks 35 00:01:17.119 --> 00:01:19.040 where the melody goes up 36 00:01:19.040 --> 00:01:21.040 henry's teacher wants to meet with us 37 00:01:21.040 --> 00:01:23.119 henry's teacher wants to meet with us 38 00:01:23.119 --> 00:01:25.040 henry's teacher wants to meet with us 39 00:01:25.040 --> 00:01:26.759 henry's 40 00:01:26.759 --> 00:01:29.280 teacher i'm feeling a lot of stress 41 00:01:29.280 --> 00:01:30.240 there 42 00:01:30.240 --> 00:01:34.159 teacher wants to meet with us 43 00:01:34.159 --> 00:01:36.400 listen again and notice how every word 44 00:01:36.400 --> 00:01:38.479 slides right into the next word with no 45 00:01:38.479 --> 00:01:41.200 breaks this linking is really important 46 00:01:41.200 --> 00:01:43.438 to the character of american english 47 00:01:43.438 --> 00:01:45.520 henry's teacher wants to meet with us 48 00:01:45.520 --> 00:01:47.680 henry's teacher wants to meet with us 49 00:01:47.680 --> 00:01:49.680 henry's teacher wants to meet with us 50 00:01:49.680 --> 00:01:52.560 so after the peak of stress on teach 51 00:01:52.560 --> 00:01:54.399 we have three syllables 52 00:01:54.399 --> 00:01:56.159 sure ones to 53 00:01:56.159 --> 00:01:58.479 that are flattering pitch said more 54 00:01:58.479 --> 00:01:59.920 quickly 55 00:01:59.920 --> 00:02:02.640 once to the word two reduces it's not 56 00:02:02.640 --> 00:02:05.280 two it's to with the schwa 57 00:02:05.280 --> 00:02:08.239 wants to once to wants to wants to 58 00:02:08.239 --> 00:02:10.560 everyone 59 00:02:10.560 --> 00:02:13.440 teacher wants to meet with us then we 60 00:02:13.440 --> 00:02:16.639 have a stop t in meet that's because the 61 00:02:16.639 --> 00:02:18.560 next word begins with the w 62 00:02:18.560 --> 00:02:21.919 so it's not meet with but it's meat with 63 00:02:21.919 --> 00:02:25.040 meat with that tiny little break little 64 00:02:25.040 --> 00:02:28.000 lift is what we feel as the tea meet 65 00:02:28.000 --> 00:02:29.360 with us 66 00:02:29.360 --> 00:02:30.879 meet with us 67 00:02:30.879 --> 00:02:32.000 meet with us 68 00:02:32.000 --> 00:02:33.120 meet with us 69 00:02:33.120 --> 00:02:35.519 meet with us you mean his l.a teacher 70 00:02:35.519 --> 00:02:37.840 what about this next question what 71 00:02:37.840 --> 00:02:39.360 happens with the melody 72 00:02:39.360 --> 00:02:41.120 you mean his l.a teacher 73 00:02:41.120 --> 00:02:42.879 you mean his la teacher 74 00:02:42.879 --> 00:02:44.639 you mean his la teacher 75 00:02:44.639 --> 00:02:47.680 you mean his a little bit of up down 76 00:02:47.680 --> 00:02:51.760 shape there you mean his la teacher then 77 00:02:51.760 --> 00:02:54.480 we have most of our stress on a whenever 78 00:02:54.480 --> 00:02:56.879 we have an acronym like this 79 00:02:56.879 --> 00:03:00.000 where we're saying the letters la 80 00:03:00.000 --> 00:03:03.280 jfk etc it's always the last letter that 81 00:03:03.280 --> 00:03:05.400 gets the most stress 82 00:03:05.400 --> 00:03:09.440 lay teacher we're going up in pitch it's 83 00:03:09.440 --> 00:03:11.360 a yes no question 84 00:03:11.360 --> 00:03:14.639 and those usually go up in pitch but 85 00:03:14.639 --> 00:03:16.879 since it's going up in pitch rather than 86 00:03:16.879 --> 00:03:19.120 feeling the stress as an up down shape 87 00:03:19.120 --> 00:03:22.879 it's sort of the opposite la 88 00:03:22.879 --> 00:03:26.000 teacher it's a scoop down and then up 89 00:03:26.000 --> 00:03:29.599 you mean his l.a teacher 90 00:03:29.599 --> 00:03:31.360 you mean his la teacher 91 00:03:31.360 --> 00:03:33.120 you mean his l.a teacher 92 00:03:33.120 --> 00:03:36.000 you mean his l.a teacher can you uh can 93 00:03:36.000 --> 00:03:37.200 you uh 94 00:03:37.200 --> 00:03:38.799 can you 95 00:03:38.799 --> 00:03:41.760 that little utterance very smooth no 96 00:03:41.760 --> 00:03:44.159 breaks in the voice 97 00:03:44.159 --> 00:03:47.599 can you uh and we have that peak on you 98 00:03:47.599 --> 00:03:50.879 the word can is not can it's 99 00:03:50.879 --> 00:03:52.560 i would write that with the schwa said 100 00:03:52.560 --> 00:03:54.640 very quickly 101 00:03:54.640 --> 00:03:55.760 can you 102 00:03:55.760 --> 00:03:56.959 can you 103 00:03:56.959 --> 00:03:58.480 can you uh 104 00:03:58.480 --> 00:03:59.680 can you uh 105 00:03:59.680 --> 00:04:00.959 can you uh 106 00:04:00.959 --> 00:04:02.319 can you uh 107 00:04:02.319 --> 00:04:05.040 quick request if you're not subscribed 108 00:04:05.040 --> 00:04:07.120 to my channel please click the subscribe 109 00:04:07.120 --> 00:04:09.680 button with notifications i make new 110 00:04:09.680 --> 00:04:11.680 videos on the english language every 111 00:04:11.680 --> 00:04:12.720 tuesday 112 00:04:12.720 --> 00:04:15.120 also take a second to click that like 113 00:04:15.120 --> 00:04:17.839 button it does help ready one 114 00:04:17.839 --> 00:04:20.238 two three click it 115 00:04:20.238 --> 00:04:23.199 okay back to the analysis 116 00:04:23.199 --> 00:04:24.400 can you uh 117 00:04:24.400 --> 00:04:25.600 can you uh 118 00:04:25.600 --> 00:04:28.320 can you uh uh this is the uh as in 119 00:04:28.320 --> 00:04:30.639 butter vowel and it's the sound that 120 00:04:30.639 --> 00:04:34.639 americans make when we're thinking uh 121 00:04:34.639 --> 00:04:36.160 um 122 00:04:36.160 --> 00:04:37.680 for example 123 00:04:37.680 --> 00:04:38.880 can you uh 124 00:04:38.880 --> 00:04:40.160 can you uh 125 00:04:40.160 --> 00:04:43.199 can you uh answer the answer the 126 00:04:43.199 --> 00:04:45.199 then she does a little break here either 127 00:04:45.199 --> 00:04:46.960 because she's drinking or while she's 128 00:04:46.960 --> 00:04:48.880 thinking 129 00:04:48.880 --> 00:04:50.560 answer the 130 00:04:50.560 --> 00:04:52.880 so anne is the most stressed syllable 131 00:04:52.880 --> 00:04:56.240 and the two unstressed syllables sir the 132 00:04:56.240 --> 00:04:57.919 just sort of fall down and pitch from 133 00:04:57.919 --> 00:05:00.560 that peak the letter w there's no w 134 00:05:00.560 --> 00:05:03.360 sound here answer the 135 00:05:03.360 --> 00:05:04.800 answer the 136 00:05:04.800 --> 00:05:06.160 enter the 137 00:05:06.160 --> 00:05:07.440 enter the 138 00:05:07.440 --> 00:05:08.560 enter the 139 00:05:08.560 --> 00:05:10.400 the word answer 140 00:05:10.400 --> 00:05:12.720 will be written phonetically with the a 141 00:05:12.720 --> 00:05:15.039 vowel and then n 142 00:05:15.039 --> 00:05:17.360 but when at is followed by n it's not 143 00:05:17.360 --> 00:05:20.240 quite pure that would be a an 144 00:05:20.240 --> 00:05:21.520 an 145 00:05:21.520 --> 00:05:23.919 an answer and that's not how we say it 146 00:05:23.919 --> 00:05:27.120 we say answer so the back of the tongue 147 00:05:27.120 --> 00:05:29.279 relaxes we move through a sound that's 148 00:05:29.279 --> 00:05:33.359 sort of like the uh as in butter sound 149 00:05:34.400 --> 00:05:35.600 answer 150 00:05:35.600 --> 00:05:37.120 answer the 151 00:05:37.120 --> 00:05:38.479 enter the 152 00:05:38.479 --> 00:05:39.839 enter the 153 00:05:39.839 --> 00:05:43.279 enter the email email email 154 00:05:43.279 --> 00:05:45.560 going up stress on e 155 00:05:45.560 --> 00:05:47.360 email 156 00:05:47.360 --> 00:05:50.400 so we can set a time 157 00:05:50.400 --> 00:05:53.039 and then intonation goes up 158 00:05:53.039 --> 00:05:55.120 it's almost like this is a question and 159 00:05:55.120 --> 00:05:57.360 then the second half is also a question 160 00:05:57.360 --> 00:05:58.960 email 161 00:05:58.960 --> 00:06:00.160 email 162 00:06:00.160 --> 00:06:01.919 so we can set a time 163 00:06:01.919 --> 00:06:03.680 email so we could set a time 164 00:06:03.680 --> 00:06:05.440 email so we could set a time 165 00:06:05.440 --> 00:06:07.839 email so we could set a time the l in 166 00:06:07.839 --> 00:06:10.639 email is a dark l 167 00:06:10.639 --> 00:06:12.720 it comes after the diphthong in that 168 00:06:12.720 --> 00:06:14.720 syllable 169 00:06:14.720 --> 00:06:16.400 and you don't need to lift your tongue 170 00:06:16.400 --> 00:06:20.400 tip for this dark l email 171 00:06:20.720 --> 00:06:22.400 keep your tongue tip down that will help 172 00:06:22.400 --> 00:06:24.160 you focus on the tongue position it's 173 00:06:24.160 --> 00:06:25.600 the back of the tongue that makes that 174 00:06:25.600 --> 00:06:26.800 dark sound 175 00:06:26.800 --> 00:06:28.400 don't round your lips 176 00:06:28.400 --> 00:06:29.919 a lot of people want to make something 177 00:06:29.919 --> 00:06:32.560 sort of like email where the front part 178 00:06:32.560 --> 00:06:34.240 of the mouth makes the sound and then it 179 00:06:34.240 --> 00:06:36.720 sounds sort of like o or a w sound but 180 00:06:36.720 --> 00:06:38.880 it should be oh 181 00:06:38.880 --> 00:06:40.960 a dark sound to the dark l 182 00:06:40.960 --> 00:06:42.639 email 183 00:06:42.639 --> 00:06:43.839 email 184 00:06:43.839 --> 00:06:45.039 email 185 00:06:45.039 --> 00:06:46.000 email 186 00:06:46.000 --> 00:06:46.960 email 187 00:06:46.960 --> 00:06:49.120 email so we could set a time now let's 188 00:06:49.120 --> 00:06:51.120 look at this word can 189 00:06:51.120 --> 00:06:52.720 we just had it up here 190 00:06:52.720 --> 00:06:55.199 and it was pronounced 191 00:06:55.199 --> 00:06:57.759 how is it pronounced this second time 192 00:06:57.759 --> 00:06:59.759 so we could set a time so we could set a 193 00:06:59.759 --> 00:07:03.840 time so we could set a time 194 00:07:04.080 --> 00:07:07.279 so fast so unclear so we can plug in so 195 00:07:07.279 --> 00:07:10.240 we can speak so we can set a time 196 00:07:10.240 --> 00:07:11.919 i guess i'll write it with all of those 197 00:07:11.919 --> 00:07:14.240 sounds but it's just so fast 198 00:07:14.240 --> 00:07:16.479 none of it's very clear is it so we 199 00:07:16.479 --> 00:07:18.960 could set a time so we could set a time 200 00:07:18.960 --> 00:07:21.840 so we could set a time set a time 201 00:07:21.840 --> 00:07:24.400 a flap t links these two words together 202 00:07:24.400 --> 00:07:26.319 we pronounce a t as a flap t when it 203 00:07:26.319 --> 00:07:28.160 comes between two vowels and that's what 204 00:07:28.160 --> 00:07:31.440 happens when we link these words set a 205 00:07:31.440 --> 00:07:32.800 time 206 00:07:32.800 --> 00:07:33.919 is that a time 207 00:07:33.919 --> 00:07:35.120 is that a time 208 00:07:35.120 --> 00:07:36.319 instead of time 209 00:07:36.319 --> 00:07:38.160 yeah i've been distracted 210 00:07:38.160 --> 00:07:41.759 yeah i've stress on yeah up down yeah 211 00:07:41.759 --> 00:07:44.520 i've been distracted 212 00:07:44.520 --> 00:07:46.319 [Music] 213 00:07:46.319 --> 00:07:48.639 a couple peaks of stress there 214 00:07:48.639 --> 00:07:50.560 yeah i've been distracted 215 00:07:50.560 --> 00:07:52.479 yeah i've been distracted 216 00:07:52.479 --> 00:07:54.400 yeah i've been distracted 217 00:07:54.400 --> 00:07:56.879 i have or i've 218 00:07:56.879 --> 00:07:58.879 i've is not pronounced that way he 219 00:07:58.879 --> 00:08:01.039 doesn't really say the v sound 220 00:08:01.039 --> 00:08:02.639 i've been distracted 221 00:08:02.639 --> 00:08:04.240 i've been distracted 222 00:08:04.240 --> 00:08:05.919 i've been distracted 223 00:08:05.919 --> 00:08:07.599 i've been distracted 224 00:08:07.599 --> 00:08:10.000 i've noticed we do this sometimes when 225 00:08:10.000 --> 00:08:10.960 we're 226 00:08:10.960 --> 00:08:13.280 saying that word bin next 227 00:08:13.280 --> 00:08:15.120 i've been 228 00:08:15.120 --> 00:08:16.879 one of the shortcuts is just to drop 229 00:08:16.879 --> 00:08:18.960 that v sound i've been distracted i've 230 00:08:18.960 --> 00:08:21.199 been i've been i've been so see if you 231 00:08:21.199 --> 00:08:23.440 can make that with no v sound at all 232 00:08:23.440 --> 00:08:26.800 just linking the i diphthong into the b 233 00:08:26.800 --> 00:08:28.560 that will help this transition be more 234 00:08:28.560 --> 00:08:30.879 smooth it will help you make this less 235 00:08:30.879 --> 00:08:32.399 important word 236 00:08:32.399 --> 00:08:35.120 less long and we need it to be short for 237 00:08:35.120 --> 00:08:36.880 that rhythmic contrast that's so 238 00:08:36.880 --> 00:08:39.039 important in american english 239 00:08:39.039 --> 00:08:42.479 i've been distracted now here we have e 240 00:08:42.479 --> 00:08:44.000 e 241 00:08:44.000 --> 00:08:46.720 two e's but that makes the e as in sit 242 00:08:46.720 --> 00:08:50.000 vowel not the evol i've been i've been 243 00:08:50.000 --> 00:08:52.480 i've been distracted 244 00:08:52.480 --> 00:08:54.480 i've been distracted i've been 245 00:08:54.480 --> 00:08:55.760 distracted 246 00:08:55.760 --> 00:08:58.480 i've been distracted the ed ending is 247 00:08:58.480 --> 00:09:01.200 pronounced as an extra syllable 248 00:09:01.200 --> 00:09:02.880 e plus d 249 00:09:02.880 --> 00:09:05.440 when the sound before is a t or d so 250 00:09:05.440 --> 00:09:07.600 it's a whole extra syllable here because 251 00:09:07.600 --> 00:09:09.360 it comes after a t 252 00:09:09.360 --> 00:09:12.160 distracted 253 00:09:12.160 --> 00:09:13.679 distracted 254 00:09:13.679 --> 00:09:15.040 distracted 255 00:09:15.040 --> 00:09:16.399 distracted 256 00:09:16.399 --> 00:09:18.399 distracted 257 00:09:18.399 --> 00:09:19.760 i understand 258 00:09:19.760 --> 00:09:21.440 i understand 259 00:09:21.440 --> 00:09:23.040 what are our most stressed syllables 260 00:09:23.040 --> 00:09:23.920 there 261 00:09:23.920 --> 00:09:25.440 i understand 262 00:09:25.440 --> 00:09:26.958 i understand 263 00:09:26.958 --> 00:09:28.320 i understand 264 00:09:28.320 --> 00:09:29.920 i understand 265 00:09:29.920 --> 00:09:33.519 i and under are all going towards the 266 00:09:33.519 --> 00:09:36.880 main stress there stand i understand 267 00:09:36.880 --> 00:09:39.360 i understand and this is lower in pitch 268 00:09:39.360 --> 00:09:41.279 less energy in the voice 269 00:09:41.279 --> 00:09:42.720 i understand 270 00:09:42.720 --> 00:09:44.240 i understand 271 00:09:44.240 --> 00:09:45.760 i understand 272 00:09:45.760 --> 00:09:47.760 i and uh 273 00:09:47.760 --> 00:09:49.440 these two sounds here link together 274 00:09:49.440 --> 00:09:51.200 really smoothly 275 00:09:51.200 --> 00:09:53.679 i under i 276 00:09:53.679 --> 00:09:55.839 under don't try to make any kind of 277 00:09:55.839 --> 00:09:57.040 distinction 278 00:09:57.040 --> 00:09:58.720 the words should slide together that's 279 00:09:58.720 --> 00:10:00.880 okay that smoothness is important in 280 00:10:00.880 --> 00:10:02.399 american english 281 00:10:02.399 --> 00:10:05.120 i under i understand 282 00:10:05.120 --> 00:10:06.559 i understand 283 00:10:06.559 --> 00:10:08.078 i understand 284 00:10:08.078 --> 00:10:09.679 i understand 285 00:10:09.679 --> 00:10:10.958 i just want to rule out everything you 286 00:10:10.958 --> 00:10:12.399 know with this reading 287 00:10:12.399 --> 00:10:14.958 this next phrase is again sort of lower 288 00:10:14.958 --> 00:10:17.519 in pitch and energy it's sort of like an 289 00:10:17.519 --> 00:10:18.720 aside 290 00:10:18.720 --> 00:10:21.120 but we do still have some the feeling of 291 00:10:21.120 --> 00:10:22.958 some more stressed syllables what do you 292 00:10:22.958 --> 00:10:24.800 think they are i just want to rule out 293 00:10:24.800 --> 00:10:26.480 everything you know with this reading i 294 00:10:26.480 --> 00:10:27.600 just want to rule out everything you 295 00:10:27.600 --> 00:10:29.200 know with this reading i just want to 296 00:10:29.200 --> 00:10:30.399 rule out everything you know with this 297 00:10:30.399 --> 00:10:32.800 reading i just wanna 298 00:10:32.800 --> 00:10:34.958 those first four words all unstressed 299 00:10:34.958 --> 00:10:36.640 said very quickly then we have some 300 00:10:36.640 --> 00:10:38.559 stress syllables rule 301 00:10:38.559 --> 00:10:40.078 out 302 00:10:40.078 --> 00:10:42.800 everything you know with his 303 00:10:42.800 --> 00:10:44.000 reading 304 00:10:44.000 --> 00:10:45.440 let's look at these first four 305 00:10:45.440 --> 00:10:47.120 unstressed words 306 00:10:47.120 --> 00:10:49.040 they're not that clear they're not i 307 00:10:49.040 --> 00:10:50.880 just want to 308 00:10:50.880 --> 00:10:53.440 that would be way over pronouncing them 309 00:10:53.440 --> 00:10:54.559 i just want to 310 00:10:54.559 --> 00:10:55.600 just want to 311 00:10:55.600 --> 00:10:58.000 just want to i just want to 312 00:10:58.000 --> 00:10:59.519 i just want to 313 00:10:59.519 --> 00:11:02.880 what is happening she's dropping the j 314 00:11:02.880 --> 00:11:06.399 i s i i she's dropping the t now it's 315 00:11:06.399 --> 00:11:08.720 really common to drop the t in just when 316 00:11:08.720 --> 00:11:10.399 the next word begins with a consonant 317 00:11:10.399 --> 00:11:12.559 like it does here it's a little bit less 318 00:11:12.559 --> 00:11:15.519 common to drop the j but it does happen 319 00:11:15.519 --> 00:11:18.000 the word just not important here 320 00:11:18.000 --> 00:11:19.600 it's a filler word 321 00:11:19.600 --> 00:11:20.720 i just wanna 322 00:11:20.720 --> 00:11:21.760 i just wanna 323 00:11:21.760 --> 00:11:23.760 i just wanna i just wanna 324 00:11:23.760 --> 00:11:25.120 i just wanna 325 00:11:25.120 --> 00:11:27.200 one two becomes one uh 326 00:11:27.200 --> 00:11:29.920 but it's not as clear as wanna it's 327 00:11:29.920 --> 00:11:30.958 wanna 328 00:11:30.958 --> 00:11:33.279 i swanna i swunna 329 00:11:33.279 --> 00:11:35.120 this is the nature of an unstressed 330 00:11:35.120 --> 00:11:36.800 syllable and we have four unstressed 331 00:11:36.800 --> 00:11:39.040 syllables here in a row i just wanna i 332 00:11:39.040 --> 00:11:40.160 just wanna 333 00:11:40.160 --> 00:11:43.040 i just wanna rule out i just want to i 334 00:11:43.040 --> 00:11:44.000 just want to 335 00:11:44.000 --> 00:11:45.200 just want to rule out everything you 336 00:11:45.200 --> 00:11:47.279 know with this reading and i'm hearing a 337 00:11:47.279 --> 00:11:51.040 light flap t connecting out and ev out 338 00:11:51.040 --> 00:11:54.000 every out every out every out everything 339 00:11:54.000 --> 00:11:56.399 rule out everything rule out everything 340 00:11:56.399 --> 00:11:58.160 rule out everything but everything 341 00:11:58.160 --> 00:12:00.399 glides together really smoothly the dark 342 00:12:00.399 --> 00:12:03.600 ellen rule out you can lift your tongue 343 00:12:03.600 --> 00:12:06.000 tip there to finish it rule 344 00:12:06.000 --> 00:12:08.000 out but link that right into the owl 345 00:12:08.000 --> 00:12:10.559 diphthong don't make a lift or a break 346 00:12:10.559 --> 00:12:13.279 we want them to link together rule out 347 00:12:13.279 --> 00:12:16.000 rule out everything rule out everything 348 00:12:16.000 --> 00:12:17.360 rule out everything 349 00:12:17.360 --> 00:12:19.920 rule out everything rule out 350 00:12:19.920 --> 00:12:23.679 this is a phrasal verb and it means to 351 00:12:23.679 --> 00:12:27.440 make impossible to eliminate as an 352 00:12:27.440 --> 00:12:28.559 option 353 00:12:28.559 --> 00:12:30.800 if you rule something out that means it 354 00:12:30.800 --> 00:12:32.880 won't happen or it can't be 355 00:12:32.880 --> 00:12:35.600 for example if you're unwell you may do 356 00:12:35.600 --> 00:12:38.720 a series of tests for specific illnesses 357 00:12:38.720 --> 00:12:40.559 to rule them out if it comes back 358 00:12:40.559 --> 00:12:43.279 negative then you know it can't be that 359 00:12:43.279 --> 00:12:44.559 rule out everything 360 00:12:44.559 --> 00:12:45.839 rule out everything 361 00:12:45.839 --> 00:12:47.040 rule out everything you know this 362 00:12:47.040 --> 00:12:48.078 reading 363 00:12:48.078 --> 00:12:50.639 now let's listen to four more unstressed 364 00:12:50.639 --> 00:12:53.920 words in a row you know with his 365 00:12:53.920 --> 00:12:55.440 you know this reading 366 00:12:55.440 --> 00:12:56.958 you know this reading 367 00:12:56.958 --> 00:12:59.120 you know this reading you know this you 368 00:12:59.120 --> 00:13:01.839 know this you know this you know this 369 00:13:01.839 --> 00:13:02.880 you know 370 00:13:02.880 --> 00:13:04.160 i think that's really more of a schwa 371 00:13:04.160 --> 00:13:06.320 yeah yeah you know you know you know you 372 00:13:06.320 --> 00:13:07.679 know 373 00:13:07.679 --> 00:13:10.078 you know there's you know you know this 374 00:13:10.078 --> 00:13:12.240 the h is dropped in his that's a common 375 00:13:12.240 --> 00:13:14.000 reduction with his with us with us with 376 00:13:14.000 --> 00:13:14.800 us 377 00:13:14.800 --> 00:13:16.958 you know this you know this 378 00:13:16.958 --> 00:13:19.600 you know this you know this you know 379 00:13:19.600 --> 00:13:23.600 the th here so light so weak 380 00:13:23.600 --> 00:13:24.800 not clear 381 00:13:24.800 --> 00:13:26.720 you may think this is insane why are 382 00:13:26.720 --> 00:13:28.880 these words so unclear but that's just 383 00:13:28.880 --> 00:13:30.800 the way american english is when we have 384 00:13:30.800 --> 00:13:33.200 a lot of unstressed words in a row they 385 00:13:33.200 --> 00:13:36.078 get simplified sounds get dropped sounds 386 00:13:36.078 --> 00:13:37.679 get changed 387 00:13:37.679 --> 00:13:39.600 but there's enough there for us to get 388 00:13:39.600 --> 00:13:42.399 what it is and it's important to have 389 00:13:42.399 --> 00:13:44.078 that simplification 390 00:13:44.078 --> 00:13:46.000 so it can be said more quickly so that 391 00:13:46.000 --> 00:13:49.120 the longer syllables get to be clearer 392 00:13:49.120 --> 00:13:51.920 that change between long and short is 393 00:13:51.920 --> 00:13:54.000 important in american english it's the 394 00:13:54.000 --> 00:13:55.760 structure of the language 395 00:13:55.760 --> 00:13:56.800 you know 396 00:13:56.800 --> 00:13:57.839 you know 397 00:13:57.839 --> 00:13:59.839 you know this reading i just think he's 398 00:13:59.839 --> 00:14:01.920 a little over anxious what are our most 399 00:14:01.920 --> 00:14:04.078 stressed words in this sentence 400 00:14:04.078 --> 00:14:06.240 i just think he's a little over anxious 401 00:14:06.240 --> 00:14:08.320 just think he's a little over anxious 402 00:14:08.320 --> 00:14:10.000 just think he's a little over anxious i 403 00:14:10.000 --> 00:14:13.199 just think he's a little over anxious 404 00:14:13.199 --> 00:14:14.720 think 405 00:14:14.720 --> 00:14:17.010 dad 406 00:14:17.010 --> 00:14:20.120 [Music] 407 00:14:20.160 --> 00:14:23.360 rhythmic contrast long and short i 408 00:14:23.360 --> 00:14:25.760 i don't even hear it i know it's there 409 00:14:25.760 --> 00:14:27.839 it makes sense that's what i would write 410 00:14:27.839 --> 00:14:30.160 down if i was writing what he's saying 411 00:14:30.160 --> 00:14:31.839 but when i really listen to it i don't 412 00:14:31.839 --> 00:14:33.279 really hear i 413 00:14:33.279 --> 00:14:35.680 now we have this word just 414 00:14:35.680 --> 00:14:37.440 how is it pronounced 415 00:14:37.440 --> 00:14:39.600 i just think he's a little over anxious 416 00:14:39.600 --> 00:14:41.600 just think he's a little over anxious 417 00:14:41.600 --> 00:14:43.360 just think he's a little over anxious 418 00:14:43.360 --> 00:14:45.519 just think he's just think he's 419 00:14:45.519 --> 00:14:48.639 just just just just again that t is 420 00:14:48.639 --> 00:14:51.360 dropped and it said really quickly just 421 00:14:51.360 --> 00:14:53.600 think he's just think he's 422 00:14:53.600 --> 00:14:55.839 just think he's just think he's just 423 00:14:55.839 --> 00:14:58.560 think he's i think he's think he's again 424 00:14:58.560 --> 00:14:59.920 dropped h 425 00:14:59.920 --> 00:15:01.839 common to do that in these function 426 00:15:01.839 --> 00:15:05.279 words like he and his and him 427 00:15:05.279 --> 00:15:07.040 think he's think he's thinking think 428 00:15:07.040 --> 00:15:08.399 he's 429 00:15:08.399 --> 00:15:11.040 the apostrophe s here is a z because 430 00:15:11.040 --> 00:15:12.959 it's short for the word is 431 00:15:12.959 --> 00:15:15.519 where that s is a z sound that z links 432 00:15:15.519 --> 00:15:17.360 right into the schwa 433 00:15:17.360 --> 00:15:19.040 i think he's a think he's a think he's a 434 00:15:19.040 --> 00:15:21.120 think he's a really smooth 435 00:15:21.120 --> 00:15:23.040 i think he's a i think he's a i think 436 00:15:23.040 --> 00:15:27.120 he's a little over anxious i think he a 437 00:15:29.519 --> 00:15:32.079 little we have a flap t there 438 00:15:32.079 --> 00:15:34.360 little little 439 00:15:34.360 --> 00:15:36.560 little over 440 00:15:36.560 --> 00:15:38.560 so we have the unstressed syllable of 441 00:15:38.560 --> 00:15:41.120 little and two unstressed syllables in 442 00:15:41.120 --> 00:15:44.320 over dull over deliver deliver 443 00:15:44.320 --> 00:15:47.519 little over anxious 444 00:15:47.519 --> 00:15:49.519 a little over anxious a little over 445 00:15:49.519 --> 00:15:52.880 anxious a little over anxious anxious 446 00:15:52.880 --> 00:15:54.480 that would be written phonetically with 447 00:15:54.480 --> 00:15:58.240 the a as in bat and the ng consonant 448 00:15:58.240 --> 00:16:00.399 so the letter n here 449 00:16:00.399 --> 00:16:03.360 is actually the ng sound 450 00:16:03.360 --> 00:16:05.199 made with the back of the tongue so when 451 00:16:05.199 --> 00:16:06.560 that happens 452 00:16:06.560 --> 00:16:08.880 the a vowel changes it's more like the a 453 00:16:08.880 --> 00:16:10.240 diphthong 454 00:16:10.240 --> 00:16:11.440 like in say 455 00:16:11.440 --> 00:16:13.519 a a anxious 456 00:16:13.519 --> 00:16:15.279 over anxious 457 00:16:15.279 --> 00:16:18.720 over anxious over anxious over anxious 458 00:16:18.720 --> 00:16:21.759 and the letter x here 459 00:16:21.759 --> 00:16:24.639 making the sounds k and sh 460 00:16:24.639 --> 00:16:25.759 anxious 461 00:16:25.759 --> 00:16:27.199 anxious 462 00:16:27.199 --> 00:16:28.480 anxious 463 00:16:28.480 --> 00:16:29.440 anxious 464 00:16:29.440 --> 00:16:30.480 anxious 465 00:16:30.480 --> 00:16:33.440 anxious i think he wants it too much 466 00:16:33.440 --> 00:16:35.279 listen to this next phrase and tell me 467 00:16:35.279 --> 00:16:38.480 what you think the most stressed word is 468 00:16:38.480 --> 00:16:40.079 wanted too much 469 00:16:40.079 --> 00:16:41.680 wants it too much 470 00:16:41.680 --> 00:16:43.120 wants it too much 471 00:16:43.120 --> 00:16:44.240 i think he 472 00:16:44.240 --> 00:16:48.240 a tiny bit of stress on think i think he 473 00:16:48.240 --> 00:16:51.279 wants it too much and then a lot on once 474 00:16:51.279 --> 00:16:53.040 once it too much 475 00:16:53.040 --> 00:16:54.639 did you notice in these first three 476 00:16:54.639 --> 00:16:56.800 words i think he 477 00:16:56.800 --> 00:16:59.360 that age got dropped again i think he i 478 00:16:59.360 --> 00:17:00.320 think he 479 00:17:00.320 --> 00:17:01.360 i think you 480 00:17:01.360 --> 00:17:04.799 i think you i think he wants it too much 481 00:17:04.799 --> 00:17:07.359 wants it too much too and much both have 482 00:17:07.359 --> 00:17:09.600 some length like for stress but they 483 00:17:09.600 --> 00:17:11.679 don't have a whole lot of that up down 484 00:17:11.679 --> 00:17:13.520 shape i think he 485 00:17:13.520 --> 00:17:15.280 wants it too much 486 00:17:15.280 --> 00:17:17.439 i think he wants it too much 487 00:17:17.439 --> 00:17:19.600 i think he wants it too much 488 00:17:19.600 --> 00:17:21.839 i think he wants it too much then we 489 00:17:21.839 --> 00:17:24.400 have it and two and they link together 490 00:17:24.400 --> 00:17:26.720 with a single true tea 491 00:17:26.720 --> 00:17:29.840 it too it to it too it too much 492 00:17:29.840 --> 00:17:32.799 is it too much is it too much is it too 493 00:17:32.799 --> 00:17:34.400 much 494 00:17:34.400 --> 00:17:36.559 he's off the charts in math what are our 495 00:17:36.559 --> 00:17:39.119 most stressed words in this sentence 496 00:17:39.119 --> 00:17:40.960 he's off the charts in math 497 00:17:40.960 --> 00:17:42.880 he's off the charts in math 498 00:17:42.880 --> 00:17:46.640 he's off the charts in math he's off the 499 00:17:46.640 --> 00:17:49.200 charts in math 500 00:17:49.200 --> 00:17:51.760 three peaks of stress the main one on 501 00:17:51.760 --> 00:17:52.880 charts 502 00:17:52.880 --> 00:17:56.320 he's off the charts and 503 00:17:56.320 --> 00:17:57.280 math 504 00:17:57.280 --> 00:17:59.600 linking together really smoothly no 505 00:17:59.600 --> 00:18:02.000 skips no break in the melody 506 00:18:02.000 --> 00:18:04.160 if you're off the charts in something it 507 00:18:04.160 --> 00:18:07.280 means you are extremely good at it he's 508 00:18:07.280 --> 00:18:09.760 off the charts in math he is very very 509 00:18:09.760 --> 00:18:12.480 good and successful in math 510 00:18:12.480 --> 00:18:14.400 he's off the charts in math 511 00:18:14.400 --> 00:18:16.240 he's off the charts in math 512 00:18:16.240 --> 00:18:18.000 he's off the charts in math 513 00:18:18.000 --> 00:18:21.440 the apostrophe s here again this is is 514 00:18:21.440 --> 00:18:24.320 it's a z sound he's off he's off he's 515 00:18:24.320 --> 00:18:25.440 off 516 00:18:25.440 --> 00:18:26.480 he's off 517 00:18:26.480 --> 00:18:27.520 he's off 518 00:18:27.520 --> 00:18:29.520 he's off the charts of math he quits too 519 00:18:29.520 --> 00:18:31.280 easily when things aren't easy for him 520 00:18:31.280 --> 00:18:34.000 what are our most stressed words here 521 00:18:34.000 --> 00:18:35.600 he quits too easily when things aren't 522 00:18:35.600 --> 00:18:37.840 easy for him he quits too easily when 523 00:18:37.840 --> 00:18:40.000 things aren't easy for him he quits too 524 00:18:40.000 --> 00:18:41.840 easily when things aren't easy for him 525 00:18:41.840 --> 00:18:44.160 he quits too 526 00:18:44.160 --> 00:18:47.200 easily when things a little bit of 527 00:18:47.200 --> 00:18:49.520 stress there aren't 528 00:18:49.520 --> 00:18:52.080 easy for him i think the peak of stress 529 00:18:52.080 --> 00:18:54.960 of the whole sentence is on easily but 530 00:18:54.960 --> 00:18:56.559 then we also have these other places 531 00:18:56.559 --> 00:18:58.160 where there is some of that up down 532 00:18:58.160 --> 00:19:00.080 shape and some length 533 00:19:00.080 --> 00:19:01.679 he quits too easily when things aren't 534 00:19:01.679 --> 00:19:03.840 easy for him he quits too easily when 535 00:19:03.840 --> 00:19:06.080 things aren't easy for him he quits too 536 00:19:06.080 --> 00:19:07.919 easily when things aren't easy for him 537 00:19:07.919 --> 00:19:10.000 let's talk about a few pronunciation 538 00:19:10.000 --> 00:19:12.960 things the word t-o-o this word will 539 00:19:12.960 --> 00:19:14.880 never reduce to the schwa it will always 540 00:19:14.880 --> 00:19:16.960 have the ooh vowel but it might have an 541 00:19:16.960 --> 00:19:19.679 unstressed feel like it does here he 542 00:19:19.679 --> 00:19:22.799 quits too easily 543 00:19:22.799 --> 00:19:25.919 he quits too easily he quits too easily 544 00:19:25.919 --> 00:19:27.520 he quits too easily when things aren't 545 00:19:27.520 --> 00:19:30.240 easy for him now we have an n apostrophe 546 00:19:30.240 --> 00:19:33.200 t contraction that can be pronounced a 547 00:19:33.200 --> 00:19:35.359 few different ways either with the true 548 00:19:35.359 --> 00:19:37.039 t aren't 549 00:19:37.039 --> 00:19:40.400 with the stop t aren't easy or with no 550 00:19:40.400 --> 00:19:42.320 tea at all aren't easy 551 00:19:42.320 --> 00:19:45.039 what do you hear true tea stop tea or 552 00:19:45.039 --> 00:19:46.799 dropped tea 553 00:19:46.799 --> 00:19:48.960 or easy 554 00:19:48.960 --> 00:19:51.600 or easy aren't easy aren't 555 00:19:51.600 --> 00:19:54.720 easy definitely a little lift there 556 00:19:54.720 --> 00:19:57.280 a little stop for the stop component of 557 00:19:57.280 --> 00:19:59.359 that t aren't easy 558 00:19:59.359 --> 00:20:02.480 or easy or easy 559 00:20:02.480 --> 00:20:04.720 did you notice the letter s in easily 560 00:20:04.720 --> 00:20:07.679 and easy is the z sound we have quite a 561 00:20:07.679 --> 00:20:10.240 few words in english where the letter s 562 00:20:10.240 --> 00:20:13.359 is actually the z sound husband cousin 563 00:20:13.359 --> 00:20:16.799 easy for example 564 00:20:16.799 --> 00:20:20.320 or easy or easy for him easy for him did 565 00:20:20.320 --> 00:20:22.000 you notice the word for is not 566 00:20:22.000 --> 00:20:24.880 pronounced for it's pronounced fur 567 00:20:24.880 --> 00:20:27.200 fur that's really common for him for him 568 00:20:27.200 --> 00:20:29.520 for him and she doesn't drop the h but 569 00:20:29.520 --> 00:20:32.799 it is on stress for him for him for him 570 00:20:32.799 --> 00:20:34.960 for 571 00:20:35.600 --> 00:20:37.919 you know you know you know you know the 572 00:20:37.919 --> 00:20:40.480 word you reduced it's yeah 573 00:20:40.480 --> 00:20:42.640 you know you know you know 574 00:20:42.640 --> 00:20:45.440 not the ooh val but the schwa you know 575 00:20:45.440 --> 00:20:47.679 you know 576 00:20:47.679 --> 00:20:49.679 you know he's you know he's 577 00:20:49.679 --> 00:20:52.159 she does drop the h and he's now she's 578 00:20:52.159 --> 00:20:54.240 using not very much vocal energy it's a 579 00:20:54.240 --> 00:20:55.840 little bit of uh 580 00:20:55.840 --> 00:20:58.320 a popcorn quality in this phrase that 581 00:20:58.320 --> 00:21:00.080 happens in american english towards the 582 00:21:00.080 --> 00:21:01.600 end of a phrase 583 00:21:01.600 --> 00:21:03.600 and she's just said he quits too easily 584 00:21:03.600 --> 00:21:05.440 when things aren't easy for him 585 00:21:05.440 --> 00:21:07.520 and now this is sort of a continuation 586 00:21:07.520 --> 00:21:09.840 of that and her vocal energy has really 587 00:21:09.840 --> 00:21:11.200 gone down 588 00:21:11.200 --> 00:21:12.240 you know 589 00:21:12.240 --> 00:21:13.359 you know 590 00:21:13.359 --> 00:21:15.200 you know he's i guess he's stubborn he's 591 00:21:15.200 --> 00:21:18.880 he's like us like us a little bit of 592 00:21:18.880 --> 00:21:20.159 stress on us 593 00:21:20.159 --> 00:21:22.320 he's stubborn 594 00:21:22.320 --> 00:21:24.799 he's like us he's stubborn he's i guess 595 00:21:24.799 --> 00:21:27.840 he's stubborn he's i guess he's stubborn 596 00:21:27.840 --> 00:21:30.400 this quality of less volume and less 597 00:21:30.400 --> 00:21:32.400 energy in the voice is very natural in 598 00:21:32.400 --> 00:21:33.760 american english towards the end of a 599 00:21:33.760 --> 00:21:34.880 phrase 600 00:21:34.880 --> 00:21:37.039 and it sounds really nice when a student 601 00:21:37.039 --> 00:21:38.799 can bring it in sometimes i have 602 00:21:38.799 --> 00:21:40.080 students who have very good 603 00:21:40.080 --> 00:21:42.559 pronunciation but their voice is always 604 00:21:42.559 --> 00:21:44.720 fully engaged and actually that ends up 605 00:21:44.720 --> 00:21:46.799 sounding a little bit strange 606 00:21:46.799 --> 00:21:49.119 when they learn to taper off the ends of 607 00:21:49.119 --> 00:21:51.760 their sentences sometimes that ends up 608 00:21:51.760 --> 00:21:54.000 bringing in a much more natural feeling 609 00:21:54.000 --> 00:21:56.159 to their english it's like i see 610 00:21:56.159 --> 00:21:59.039 stubborn he's i guess he's stubborn 611 00:21:59.039 --> 00:22:00.960 he's i guess he's stubborn and 612 00:22:00.960 --> 00:22:02.000 everything 613 00:22:02.000 --> 00:22:05.359 smoothly linking together he's stubborn 614 00:22:05.359 --> 00:22:06.960 those two words will link together with 615 00:22:06.960 --> 00:22:09.119 a single s sound he's stubborn he's 616 00:22:09.119 --> 00:22:10.159 stubborn 617 00:22:10.159 --> 00:22:12.720 he's stubborn he's stubborn he's 618 00:22:12.720 --> 00:22:15.679 stubborn like gus he's stubborn 619 00:22:15.679 --> 00:22:17.760 and i'm pretty sure she's dropping the h 620 00:22:17.760 --> 00:22:18.799 there too 621 00:22:18.799 --> 00:22:21.600 like uh she's stubborn 622 00:22:21.600 --> 00:22:23.679 i guess he's stubborn i guess he's 623 00:22:23.679 --> 00:22:24.720 stubborn 624 00:22:24.720 --> 00:22:26.880 i guess he's stubborn 625 00:22:26.880 --> 00:22:29.359 he's still lousy i wrote he's that's 626 00:22:29.359 --> 00:22:31.520 what makes sense grammatically but i 627 00:22:31.520 --> 00:22:34.480 don't even really hear that whole word 628 00:22:34.480 --> 00:22:37.039 it's implied he still allows you he 629 00:22:37.039 --> 00:22:38.799 still allows you he still allows you 630 00:22:38.799 --> 00:22:40.320 monopoly player because he tries to save 631 00:22:40.320 --> 00:22:42.600 all his money still a 632 00:22:42.600 --> 00:22:44.919 lousy 633 00:22:44.919 --> 00:22:47.919 monopoly player stress on those two 634 00:22:47.919 --> 00:22:51.440 words lousy monopoly player 635 00:22:51.440 --> 00:22:53.520 he's still a lousy monopoly player he's 636 00:22:53.520 --> 00:22:55.760 still a lousy monopoly player he still a 637 00:22:55.760 --> 00:22:57.200 lousy monopoly player because he tries 638 00:22:57.200 --> 00:22:59.359 to save all his money because he tries 639 00:22:59.359 --> 00:23:03.679 to save all his money 640 00:23:03.679 --> 00:23:05.200 now let's look and see if there are any 641 00:23:05.200 --> 00:23:06.880 words that reduce here 642 00:23:06.880 --> 00:23:08.559 he still a lousy monopoly player because 643 00:23:08.559 --> 00:23:10.640 he tries to save all his money he still 644 00:23:10.640 --> 00:23:12.000 allows the monopoly player because he 645 00:23:12.000 --> 00:23:14.000 tries to save all his money he still 646 00:23:14.000 --> 00:23:15.359 allows the monopoly player because he 647 00:23:15.359 --> 00:23:17.119 tries to save all his money 648 00:23:17.119 --> 00:23:19.039 still uh 649 00:23:19.039 --> 00:23:20.960 don't reduce but they're unstressed said 650 00:23:20.960 --> 00:23:23.679 quickly still still still still 651 00:23:23.679 --> 00:23:26.240 still lousy look it's another word with 652 00:23:26.240 --> 00:23:28.480 a letter s where the letter s is the z 653 00:23:28.480 --> 00:23:30.679 sound lousy 654 00:23:30.679 --> 00:23:32.200 lousy 655 00:23:32.200 --> 00:23:34.480 monopoly player 656 00:23:34.480 --> 00:23:36.720 still a lousy monopoly player he's still 657 00:23:36.720 --> 00:23:38.960 a lousy monopoly player he still allows 658 00:23:38.960 --> 00:23:40.320 a monopoly player because he tries to 659 00:23:40.320 --> 00:23:41.840 save all his money cause he tries to 660 00:23:41.840 --> 00:23:44.080 save all his money because he tries to 661 00:23:44.080 --> 00:23:46.240 because he tries to because he tries to 662 00:23:46.240 --> 00:23:48.840 because becomes cause cause 663 00:23:48.840 --> 00:23:52.000 k schwazzi cause cause 664 00:23:52.000 --> 00:23:54.480 causey kazee then the z links right into 665 00:23:54.480 --> 00:23:56.559 the e vowel because the h is dropped and 666 00:23:56.559 --> 00:24:00.000 he cause he because he cause he 667 00:24:00.880 --> 00:24:02.720 because he tries to save all his money 668 00:24:02.720 --> 00:24:04.400 tries to 669 00:24:04.400 --> 00:24:07.359 to true tea 670 00:24:07.359 --> 00:24:09.919 but the vowel is not too 671 00:24:09.919 --> 00:24:13.279 it's to to it's the schwa tries to tries 672 00:24:13.279 --> 00:24:14.880 to tries to 673 00:24:14.880 --> 00:24:16.880 trust 674 00:24:16.880 --> 00:24:18.880 tries to save all his money and do you 675 00:24:18.880 --> 00:24:21.440 hear a c-h-r in tries that's really 676 00:24:21.440 --> 00:24:25.799 common to pronounce the t-r-s-c-h-r 677 00:24:26.240 --> 00:24:28.400 trace tries to tries to 678 00:24:28.400 --> 00:24:31.440 tries to save all is 679 00:24:31.440 --> 00:24:34.240 we have all and his unstressed coming 680 00:24:34.240 --> 00:24:36.320 down in pitch from the stress syllable 681 00:24:36.320 --> 00:24:37.600 save 682 00:24:37.600 --> 00:24:40.080 what about his do we hear that h 683 00:24:40.080 --> 00:24:42.080 he tries to save all his money he tries 684 00:24:42.080 --> 00:24:43.679 to save all his money 685 00:24:43.679 --> 00:24:45.679 tries to save all his money save all his 686 00:24:45.679 --> 00:24:46.640 money 687 00:24:46.640 --> 00:24:47.679 save 688 00:24:47.679 --> 00:24:49.279 all is 689 00:24:49.279 --> 00:24:52.000 nope dropped h there 690 00:24:52.000 --> 00:24:55.840 save all his money 691 00:24:55.840 --> 00:24:58.480 save all his money to save all his money 692 00:24:58.480 --> 00:25:01.200 to save all his money all his money 693 00:25:01.200 --> 00:25:04.400 his another word where the letter s is 694 00:25:04.400 --> 00:25:05.840 pronounced z 695 00:25:05.840 --> 00:25:08.000 actually in the word tries 696 00:25:08.000 --> 00:25:11.039 it's a z as well but the z is weak and 697 00:25:11.039 --> 00:25:15.119 here she's making a true t in the word 698 00:25:15.119 --> 00:25:18.240 that's an unvoiced sound and voiced 699 00:25:18.240 --> 00:25:21.279 sounds are stronger than weak sounds so 700 00:25:21.279 --> 00:25:25.119 i actually hear this as an s it's 701 00:25:25.119 --> 00:25:26.640 been shifted 702 00:25:26.640 --> 00:25:31.119 into an unvoiced sound tries to tries to 703 00:25:31.119 --> 00:25:33.840 even this word on its own is tries with 704 00:25:33.840 --> 00:25:36.480 a z but i think if you make that an s 705 00:25:36.480 --> 00:25:38.400 linking into that true t that will 706 00:25:38.400 --> 00:25:42.000 simplify that tries to tries to tries to 707 00:25:42.000 --> 00:25:45.039 tries to save all his money 708 00:25:45.039 --> 00:25:46.960 he tries to save all his money he tries 709 00:25:46.960 --> 00:25:49.119 to save all his money he tries to save 710 00:25:49.119 --> 00:25:51.200 all his money there are so many things 711 00:25:51.200 --> 00:25:52.880 that make american english sound 712 00:25:52.880 --> 00:25:56.159 american this linking these dropped 713 00:25:56.159 --> 00:25:58.320 sounds these reductions that help us 714 00:25:58.320 --> 00:26:00.720 link things smoothly and give more 715 00:26:00.720 --> 00:26:03.359 rhythmic contrast there's so much to 716 00:26:03.359 --> 00:26:06.400 study in even just a small scene 717 00:26:06.400 --> 00:26:08.480 tries to save all his money tries to 718 00:26:08.480 --> 00:26:10.559 save all his money he tries to save all 719 00:26:10.559 --> 00:26:12.240 his money let's listen to this whole 720 00:26:12.240 --> 00:26:14.640 conversation one more time 721 00:26:14.640 --> 00:26:16.320 henry's teacher wants to meet with us 722 00:26:16.320 --> 00:26:18.720 you mean his la teacher can you uh 723 00:26:18.720 --> 00:26:21.279 answer the email so we could set a time 724 00:26:21.279 --> 00:26:22.840 yeah i've been 725 00:26:22.840 --> 00:26:25.440 distracted i understand 726 00:26:25.440 --> 00:26:26.720 i just want to rule out everything you 727 00:26:26.720 --> 00:26:28.480 know with this reading i just think he's 728 00:26:28.480 --> 00:26:30.400 a little over anxious i think he wants 729 00:26:30.400 --> 00:26:32.240 it too much 730 00:26:32.240 --> 00:26:34.320 he's off the charts in math he quits too 731 00:26:34.320 --> 00:26:35.840 easily when things aren't easy for him 732 00:26:35.840 --> 00:26:38.400 you know he's i guess he's stubborn 733 00:26:38.400 --> 00:26:40.000 he's still a lousy monopoly player 734 00:26:40.000 --> 00:26:43.279 because he tries to save all his money 735 00:26:43.600 --> 00:26:46.240 fantastic i can tell you're interested 736 00:26:46.240 --> 00:26:48.320 in learning english with movies i have a 737 00:26:48.320 --> 00:26:50.880 whole playlist for you check it out here 738 00:26:50.880 --> 00:26:52.960 please like and share this video and 739 00:26:52.960 --> 00:26:54.559 don't forget to subscribe with 740 00:26:54.559 --> 00:26:56.720 notifications if you haven't already i 741 00:26:56.720 --> 00:26:58.799 make new videos on the english language 742 00:26:58.799 --> 00:27:01.760 every tuesday that's it and thanks so 743 00:27:01.760 --> 00:27:06.440 much for using rachel's english